Quick Bio
I’m a London-based composer and pianist whose minimalist, cinematic style draws inspiration from Max Richter and Philip Glass. As a BAFTA Connect member, I scored my first feature film, Baby Brother (2023), which has over 20,000 streams on Spotify, and I’ve composed for numerous short films screened at festivals worldwide, including the BFI Future Film Festival. As an associate artist with Lazarus Theatre Company, I’ve created scores for productions such as The Caucasian Chalk Circle and a musical adaptation of The Beggar’s Opera. My music has been featured on BBC Radio, at the BFI, and in venues including Southwark Playhouse and Greenwich Theatre.
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Piano Style
As a pianist, my work often leans toward minimalism, layering multiple piano lines to create a unique and textured sound.
I'm currently working on my first piano album, which I plan to release early next year.
Baby Brother, feature film
Directed by Michael J Long, Baby Brother was the first feature film I composed for.
The story follows two estranged brothers as they attempt to reconnect. My score reflects this emotional journey, balancing sparse, intimate piano for the quieter moments with atmospheric synth drones to evoke tension and a sense of foreboding.
Baby Brother premiered at the Oldenburg Film Festival and was also screened at the British Urban Film Festival. It was recently acquired for distribution by Ragged Entertainment.
Short Films
Over the past decade, I’ve composed for numerous short films, many of which have been screened at festivals including the BFI Future Film Festival and the Newport Beach Film Festival.
Associate Composer,
Lazarus Theatre Company
I've collaborated with Lazarus Theatre Company since 2015, composing and songwriting for their dynamic adaptations of classical texts. My work includes productions such as The Caucasian Chalk Circle, Doctor Faustus, and several of Shakespeare’s plays, including A Midsummer Night’s Dream and The Tempest.






